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Sunday 18 August 2013
Monday 20 August 2012
Friday 20 July 2012
JOHN HULTBERG
John Philip Hhulterber was born in Berkely, Calif. He graduated from Fresno State College in 1943, was a lieutenant in the Navy in the World war II , and studied on the G, I. Bill at the San Francisco School of Art.
He was introduced that year to Richard Dienbenkorn was a friend and mentor, also Mark Rotnko andg Clyfford Still were among his teachers, when he went to New York in 1952 to continue his studies at the Art Students League.He was introduced that year in ashow of the New Talent at the Museum of Modern Art and won the first prize at the Corcoran Bienal in Washington. In 1954 he spent one year in Paris for thi he broght is work to the European audience
His work is included in many collections, included the Guggenhein,Metropolitan and Whiney Museums.He publish several books includem "Sole Witness", a collection of his art in poems. A Memorie, Vagabondage, etc....He taught at institutions on both coast and in Hawaii, and since 1991 was on the falcuty of the Art Students League, where he gave classes until he died in 2005.
He was introduced that year to Richard Dienbenkorn was a friend and mentor, also Mark Rotnko andg Clyfford Still were among his teachers, when he went to New York in 1952 to continue his studies at the Art Students League.He was introduced that year in ashow of the New Talent at the Museum of Modern Art and won the first prize at the Corcoran Bienal in Washington. In 1954 he spent one year in Paris for thi he broght is work to the European audience
His work is included in many collections, included the Guggenhein,Metropolitan and Whiney Museums.He publish several books includem "Sole Witness", a collection of his art in poems. A Memorie, Vagabondage, etc....He taught at institutions on both coast and in Hawaii, and since 1991 was on the falcuty of the Art Students League, where he gave classes until he died in 2005.
I
In the ninetiesI studied whit JOHN HULTBERG at the Art Students League and by his reference I was awarded. Iam very grateful.
In the ninetiesI studied whit JOHN HULTBERG at the Art Students League and by his reference I was awarded. Iam very grateful.
Saturday 29 October 2011
Wednesday 28 September 2011
Friday 23 September 2011
Monday 15 August 2011
Monday 13 June 2011
Thursday 26 May 2011
Sunday 1 August 2010
Monday 19 July 2010
Friday 2 July 2010
Saturday 19 June 2010
Saturday 3 April 2010
TONY CRAGG
at the Natural Rubber Producers Research Association (1966-68)
before attending Gloucestershire College of Art and Design, Cheltenham College
, and the Royal College of Art, London (1973-77). Tony Cragg has lived and worked
in Wuppertal, Germany, since 1977.
Sunday 21 March 2010
THE BIRD THAT BELONGS TO THE SONG...
Digital image creation and manipulation by Elaine Erig
.................................
frayed sunlight
between the pilings –
summer’s end
..................................between the pilings –
summer’s end
cornflowers —
between the clouds
a handful of sky
.................................between the clouds
a handful of sky
a rainbow
over autumn maples…
the laundry forgotten
..................................over autumn maples…
the laundry forgotten
drowsy morning…
the bird that belongs
to the song….
the bird that belongs
to the song….
by Laryalee Fraser
Laryalee Fraser is a retired reporter/photographer, living in British Columbia. Writing poetry became part of the healing process after her husband's death in 2000, and she continues to enjoy the challenge, experimenting with digital art as an accompaniment to poems on her Web site. Gardening is another passion, giving her the chance to connect with nature while pondering those life questions that drift so close, yet always remain out of reach....
Saturday 13 March 2010
Thursday 18 February 2010
TO THE SUN - DIAL
STEEL SCULPTURE BY ELAINE ERIG
To The Sun-Dial
a poem by John Quincy Adams
To The Sun-Dial
(Under the Window of the Hall of the House
of Representatives of the United States)
To The Sun-Dial
Thou silent herald of Time's silent flight!
Say, could'st thou speak, what warning voice were thine?
Shade, who canst only show how others shine!
Dark, sullen witness of resplendent light
In day's broad glare, and when the noontide bright
Of laughing fortune sheds the ray divine,
Thy ready favors cheer us--but decline
The clouds of morning and the gloom of night.
Yet are thy counsels faithful, just, and wise;
They bid us seize the moments as they pass--
Snatch the retrieveless sunbeam as it flies,
Nor lose one sand of life's revolving glass--
Aspiring still, with energy sublime,
By virtuous deeds to give eternity to Time
To The Sun-Dial
a poem by John Quincy Adams
To The Sun-Dial
(Under the Window of the Hall of the House
of Representatives of the United States)
To The Sun-Dial
Thou silent herald of Time's silent flight!
Say, could'st thou speak, what warning voice were thine?
Shade, who canst only show how others shine!
Dark, sullen witness of resplendent light
In day's broad glare, and when the noontide bright
Of laughing fortune sheds the ray divine,
Thy ready favors cheer us--but decline
The clouds of morning and the gloom of night.
Yet are thy counsels faithful, just, and wise;
They bid us seize the moments as they pass--
Snatch the retrieveless sunbeam as it flies,
Nor lose one sand of life's revolving glass--
Aspiring still, with energy sublime,
By virtuous deeds to give eternity to Time
Wednesday 10 February 2010
Sunday 24 January 2010
BETRAYING FINGERS
KIM HONG - TAE . Primitivesses + Child ´s Mind , mixed midia on canvas 41x53 cm
Mo Mo
BETRAYING FINGERS
At night I reach out my hands
Bright fingers, pointing
in the direction of roses, my head bent silently
to the blooming, withered
and soft fingers, pointing
in the direction of waves, my head bent silently
to the calm
cold fingers, pointing
in the direction of the cliff, my head bent silently
to those who remain
I slip into spring water pebbles cloves
My hair has grown like wheat, but can't be harvested
At night I reach out my hands
rough fingers pointing
in the direction of language, my head bent silently
to the talking, listening
and slim fingers, pointing
in the direction of a miracle, my head bent silently
to the existing, non-existing
and bent fingers, pointing
in the direction of a dream, my head bent silently
to the beautiful scenes and nightmares
At night, I dream I'm thrown into a slaughterhouse
Death is not a secret, death is a gaze
Dawn is here, the fingers are still pointing
in the direction of a song
Once I sang, but now I have lost my voice
The sun has risen, the firm fingers pointing
in the direction of mother
I was born there, but now I am drifting farther away
The sun is blinding my eyes, the trembling fingers
pointing in the direction of a city
which holds a funeral for me
as if I were a puppet
who doesn't show any sign of life unless touched by a hand
Tears stain my face, I can't see
what direction the last finger is pointing
If it's pointing in the direction of my imagination
then it's the direction of time
which is also your direction
After someone said the water was flowing so fast
you came over and made a whirlpool
to drown me, to choke me
then you pointed your finger suddenly
in the direction of the void
translated by Wang Ping and Lewis Warsh
At night I reach out my hands
Bright fingers, pointing
in the direction of roses, my head bent silently
to the blooming, withered
and soft fingers, pointing
in the direction of waves, my head bent silently
to the calm
cold fingers, pointing
in the direction of the cliff, my head bent silently
to those who remain
I slip into spring water pebbles cloves
My hair has grown like wheat, but can't be harvested
At night I reach out my hands
rough fingers pointing
in the direction of language, my head bent silently
to the talking, listening
and slim fingers, pointing
in the direction of a miracle, my head bent silently
to the existing, non-existing
and bent fingers, pointing
in the direction of a dream, my head bent silently
to the beautiful scenes and nightmares
At night, I dream I'm thrown into a slaughterhouse
Death is not a secret, death is a gaze
Dawn is here, the fingers are still pointing
in the direction of a song
Once I sang, but now I have lost my voice
The sun has risen, the firm fingers pointing
in the direction of mother
I was born there, but now I am drifting farther away
The sun is blinding my eyes, the trembling fingers
pointing in the direction of a city
which holds a funeral for me
as if I were a puppet
who doesn't show any sign of life unless touched by a hand
Tears stain my face, I can't see
what direction the last finger is pointing
If it's pointing in the direction of my imagination
then it's the direction of time
which is also your direction
After someone said the water was flowing so fast
you came over and made a whirlpool
to drown me, to choke me
then you pointed your finger suddenly
in the direction of the void
translated by Wang Ping and Lewis Warsh
Labels:
AVANT- GARDE CHINESE POET
Tuesday 12 January 2010
Friday 8 January 2010
DARK LIKE ME
To fling my arms wide
In some place of the sun,
To whirl and to dance
Till the white day is done.
Then rest at cool evening
Beneath a tall tree
While night comes on gently,
Dark like me--
That is my dream!
To fling my arms wide
In the face of the sun,
Dance! Whirl! Whirl!
Till the quick day is done.
Rest at pale evening . . .
A tall, slim tree . . .
Night coming tenderly
Black like me.
Langston Hughes
Labels:
e.e digital
Wednesday 23 December 2009
NEVER TRY TO TRICK ME WITH A KISS
Never try to trick me with a kiss
SYLVIA PLATH
A stone can masquerade where no heart is
Our noble doctor claims the pain is his,
Each virile bachelor dreads paralysis,
The suave eternal serpents promise bliss
Sooner or later something goes amiss;
SYLVIA PLATH
Never try to trick me with a kiss
Pretending that the birds are here to stay;
The dying man will scoff and scorn at this.
A stone can masquerade where no heart is
And virgins rise where lustful Venus lay:
Never try to trick me with a kiss.
Our noble doctor claims the pain is his,
While stricken patients let him have his say;
The dying man will scoff and scorn at this.
Each virile bachelor dreads paralysis,
The old maid in the gable cries all day:
Never try to trick me with a kiss.
The suave eternal serpents promise bliss
To mortal children longing to be gay;
The dying man will scoff and scorn at this.
Sooner or later something goes amiss;
The singing birds pack up and fly away;
So never try to trick me with a kiss:
The dying man will scoff and scorn at this.
Labels:
SILVIA PLATH
Saturday 21 November 2009
WHEN YOU LOOK AT HIM YOU SEE DARK NIGTH
CATS...MEOW 100 POSTS
Black Horse with White Chest
Black hindquarters, white chest:
he flies on the wings of the wind.
When you look at him you see dark night
opening, giving way to dawn.
Sons of Shem and Ham live harmoniously
in him, and take no care for the words
of would-be troublemakers.
Men’s eyes light up when they see
reflected in his beauty
the clear strong black and white
of the eyes of beautiful women.
--Ibn Sa‘id al-Maghribi
1214-1274 Central Andalusia
Wednesday 28 October 2009
ME PEACOCK
WHAT'S riches to him
That has made a great peacock
With the pride of his eye?
The wind-beaten,stone -grey,
And desolate
Three RockWould nourish his whim.
Live he or die
Amid wet rocks and heather,
His ghost will be gay
Adding feather to feather
For the pride of his eye.
WHAT'S riches to him
That has made a great peacock
With the pride of his eye?
The wind-beaten, stone-grey,
And desolate
Three RockWould nourish his whim.
Live he or die
Amid wet rocks and heather,
His ghost will be gay
Adding feather to feather
For the pride of his eye.
William Butler Yeats
Labels:
borrowed picture,
William Butler Yeats
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